Solo Exhibitions 2020: 'New Album' at Matthew Marks Gallery, NYC 2019: 'Fake Truth' at Kunstverein Braunschweig, Germany Born 1985 in Hamburg, lives and works in Chicago and Berlin. The Division of the Humanities welcomes ten new faculty members, including nine former Provost’s Postdoctoral Fellows. Bharti Kher 145. Jessica Stockholder Cai Guo Qiang 142. She also holds an MFA in creative writing and literary arts from the University of Alaska Anchorage and a BA in English literature from Wells College. She was also the principal investigator for, and editor of, the Naso Cultural Encyclopedia, a multivolume study undertaken as a collaboration between scholars and the Naso people. His current research explores questions of identity and alterity in post-2011 fiction from Morocco, Algeria, and Tunisia. Campbell, Elizabeth, Julia R. Henly, Delbert S. Elliott, and Katherine Irwin. Lyamlahy wrote the preface to Abdellatif Laâbi’s complete poetic work and recently coedited a collective volume on Moroccan thinker and writer Abdelkebir Khatibi (Liverpool University Press, 2020). Amanda Ross-Ho 146. Julia Phillips's debut novel, Disappearing Earth, is on sale now. Natalia Bermúdez, assistant professor in Linguistics, has worked extensively to describe and document Indigenous languages in Latin America, primarily Chibchan languages, especially Naso (Panamá). 2009. Julia Phillips , Assistant Professor, Department of Visual Arts . Bromer, Juliet, and Julia R. Henly. She graduated with honors in 2010. Bermúdez received her PhD and MA in linguistics from the University of Texas at Austin. Her sculptures often incorporate body casts alongside mechanical accoutrements, interrogating physical relations as metaphors for social dynamics. Leslie Hewitt 151. A visiting artist lecture with Julia Phillips as part of DoVA's Open Practice Committee. Her recent paper in the Journal of Linguistic Anthropology, “Ideophone Humor: The Enregisterment of a Stereotype and Its Inversion” (2020), discusses how Naso women mock the stereotype of the Naso rube character for social and political commentary. Her scholarship draws from literature, visual culture, fine art, theater, and movement. Her creative writing is similarly preoccupied with the effects of formal/performative decisions in communicating—or in failing to communicate—one’s position, identity, or view. 75 Reunion June 2,3,4 1995. Instructor(s): J. Phillips Terms Offered: Autumn Prerequisite(s): ARTV 10100, 10200 or 10300 Note(s): Please email Julia Phillips juliaphillips@uchicago.edu with a brief description of how your work relates to a diasporic experience and/or your personal investment in the subject (150-300 words). In contrast, new materialisms mobilize ontological approaches that stress the experience and use of media. King’s research examines the relationship between race, place, and language, studying cross-regional variation in African Americans’ identity and speech. She teaches transnational literary histories of slave and maroon narratives, courses on archival theory and method, as well as the constructions of gender, race, and forms of bondage before 1850, and courses on archival theory and method. We tend to think of citizenship as something that is either offered or denied by a state. Skip to main content Sarah Johnson, assistant professor in English Language and Literature, studies seventeenth-through nineteenth-century archives of slavery and marronage in the United States and Caribbean. Johnson’s current project is provisionally titled “Forms of Escape: Eighteenth-Century Narratives of Maroons and Marronage.” She has published a translation of “Bras Coupé,” a Francophone short story from Louisiana; a chapter on translation in Caribbean Literature in Transition, volume 1, 1800–1920 (Cambridge University Press, forthcoming); and recent articles in the interdisciplinary journals Portable Gray and Call + Response. More recently, he has published two books on anime: The Anime Machine: A Media Theory of Animation (University of Minnesota Press, 2009), which shows how technologies of anime production spurred the formation of distinctive lineages of technological thought in Japan of the 1980s and ’90s, and The Anime Ecology: A Genealogy of Television, Animation, and Game Media (University of Minnesota Press, 2018), which builds across domains of inquiry that have been held apart—infrastructures and platforms, social practices, psychological complexes—to offer a new set of conceptual terms for the study of new media and social media. Assistant Director. Her work has been published in the field’s flagship journal Language, as well as, most recently, in the Annual Review of Linguistics. Skip to internal navigation, Department of Visual Arts (DOVA) Julia Phillips was born and raised in Hamburg, Germany. 773-753-4821 Ryan A. Davis, The Spanish Flu: Narrative and Cultural Identity in Spain, 1918 Mark Honigsbaum, A History of the Great Influenza Pandemics: Death, Panic, and Hysteria, 1830–1920 for art related inquiries please contact: info(at)matthewmarks.com - - - for academic inquiries please contact: juliaphillips(at)uchicago.edu Miye Nadya Tom, Julia Suárez-Krabbe, and Trinidad Caballero Castro Pedagogy of Absence, Conflict, and Emergence: Contributions to the Decolonization of Education from the Native American, Afro-Portuguese, and Romani Experiences, Comparative Education Review 61, no.S1 S1 (Mar 2017): S121-S145. Stephen M. Baum, AB'75, works on high-end electronic publishing systems at Interleaf. She joined UChicago in 2018 as a Provost’s Postdoctoral Fellow after completing a joint PhD in African American studies and American studies at Yale University. Her most recent exhibitions were a group show at The Kitchen, 'Dreamers Awake' at White Cube, and the A.I.R. Julia Phillips (Visual Arts) explores fragmentation and perspective through sound in new solo exhibition,“Fake Truth.” "Martha Nussbaum Respects The Cynic … Join Facebook to connect with Julia Phillips and others you may know. She received her MFA from Columbia University and completed the Whitney Museum of American Art’s independent study program for studio art. As a scholar of racial performativity, Post studies the ways that embodiment can forward or subvert identitarian belonging or dis-belonging. Alan E. Steinweis and Robert D. Rachlin, eds., The Law in Nazi Germany: Ideology, Opportunism, and the Perversion of Justice; Kim C. Priemel and Alexa Stiller, Reassessing the Nuremberg Military Tribunals: Transitional Justice, Trial Narratives, and Historiography Julia Phillips, assistant professor in Visual Arts, primarily works with ceramics and metal, creating pieces reminiscent of functional objects. Sophia Azeb, assistant professor in English Language and Literature, works at the intersection of Black studies, American studies, and Middle East studies. Sharese King, Neubauer Family Assistant Professor in Linguistics, is a sociolinguist investigating language variation and change. dova@uchicago.edu. Julia has considerable experience in the application of operations research methods in a number of different disciplines to include decision analysis, modelling and simulation and statistical analysis. Her work on marronage includes Anglophone and Francophone texts concerning resistance and revolution, archives of slavery, transatlantic flight and fugitivity, and translation. Julia Stasch is the immediate past president of the John D. and Catherine T. MacArthur Foundation, one of the nation’s largest philanthropies. She studied Visual Arts at the Academy of Fine Arts Hamburg before attending Columbia's MFA Program. Julia Phillips Assistant Professor, Department of Visual Arts juliaphillips@uchicago.edu. Johnson holds a PhD in English from the University of California, Berkeley. UChicago's Division of the Humanities welcomes six new faculty members and nine new Provost's Postdoctoral Fellows this fall. She is examining how Indigenous people resist depictions of themselves and practice self-determination using verbal art. Join our Mailing List. Michael Jones, Julia Barrow, David Crook, and Trevor Foulds, eds., The White Book (“Liber Albus”) of Southwell, with contributions from Neil Bettridge, Jean Cameron, Paul Cavill, and Teresa Webber Azeb’s writing on sport and politics, and African, African diasporic, and Afro-Arab arts, politics, and cultures, has appeared in the Chimurenga Chronic and on the media blog Africa Is a Country. Through the late nineteenth and early twentieth centuries, Parsard traces informal relations of wage earning and the concomitant development of a literary and visual repertoire of figures by which West Indians and Britons registered and thought about these relations. A Fulbright fellow, Julia has written for The New York Times, The Atlantic, and The Paris Review.She lives in Brooklyn. A visiting artist lecture with Julia Phillips as part of DoVA's Open Practice Committee. He is currently developing a new argument that failing to obey a grammatical requirement imposed by a particular word—which would normally result in an ungrammatical sentence—can actually yield a well-formed output if a larger phrase containing that word subsequently undergoes a syntactically triggered process of ellipsis (deletion). Her next upcoming shows are the New Museum Triennial and her first institutional solo exhibition, at MoMA PS1 titled ‘Failure Detection’. “Fashion, Microcosm, and Romantic Historical Distance,” in Rethinking Historical Distance: Varieties of Historical Engagement, ed. For his next research project, Zyman will be developing a novel definition of the fundamental syntactic operation Merge (which takes two words or phrases and combines them to form a larger phrase)—one that preserves the theoretical and empirical successes of previous definitions of Merge while overcoming some of their drawbacks. Manager, Film and Technical Operations Zyman earned his PhD in linguistics at the University of California, Santa Cruz; his undergraduate degree, also in linguistics, is from Princeton University. Mariana Castillo Deball, Daniel Ricardo Quiles & Yesomi Umolu 149. She also holds an MFA in creative writing and literary arts from the University of Alaska Anchorage and a BA in English literature from Wells College. Mark Salber Early Childhood Research Quarterly 24(3): 271-88. Laura Steward Curator, Campus and Public Art. Azeb’s theorization of these cultural and political histories aims to develop an expansive genealogy of North Africa’s contentious mode of belonging to the African diaspora. Julia Phillips (April 7, 1944 – January 1, 2002) was an American film producer and author. She has researched African Americans’ speech in Bakersfield, California, and Rochester, New York, and she plans to expand this work to Chicago through the Chicagoland Language Project. Prior to attending Stanford, she received her BA from the University of Rochester, where she majored in linguistics and minored in American Sign Language. Read Bio Lyamlahy’s research interests include contemporary fiction and poetry in French, literary theory, and translation. Helen Molesworth 150. Kaneesha Cherelle Parsard, assistant professor in English Language and Literature, is a cultural critic whose research concerns the legacies of slavery and emancipation in the Caribbean and broader Americas. Journal of Urban Affairs 31(4): 461-90. Her latest publication is “Crossing the Saharan Boundary: Lotus and the Legibility of Africanness” (Research in African Literatures, Fall 2019). Her current research focuses on verbal art (linguistic forms that are interpreted as salient, e.g., ideophones, puns, poetic couplets) through humanistic, grammatical, and social perspectives. Description. Her dissertation focused on verbal art among the Naso (Teribe) people, an Indigenous people of Panamá and Costa Rica. 2009. Linda Goluch Phillips, AB'74, MD'78, is chief of the division of plastic and reconstructive surgery at the University of Texas Medical Branch at Galveston. Senam Okudzeto 148. 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